{"id":964,"date":"2021-03-26T14:04:32","date_gmt":"2021-03-26T13:04:32","guid":{"rendered":"https:\/\/www.theatrecharbon.fr\/sandbox\/?page_id=964"},"modified":"2021-06-14T16:57:40","modified_gmt":"2021-06-14T14:57:40","slug":"comme-si","status":"publish","type":"page","link":"https:\/\/www.theatrecharbon.fr\/sandbox\/comme-si\/","title":{"rendered":"Comme si"},"content":{"rendered":"\t\t
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Comme si<\/a><\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Cr\u00e9ation 2019<\/h1>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\u00ab Comme si\u2026 est un hommage \u00e0 l\u2019ART de l\u2019acteur \u00bb\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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AUTEUR<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Courteline & tchekhov<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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METTEUR EN SCENE<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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THIERRY FALVISANER<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Textes<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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La peur des coups & L\u2019ours<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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ACTEURS<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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JOHANNA NIZARD<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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ARNAUD ALDIG\u00e9<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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STAFF<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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R\u00e9gie : simon laurent <\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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ADMINISTRATION : SYLVIE MOINEAU<\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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GRAPHISME : ESTELLE MAUGRAS <\/h4>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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TEASER<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Synopsis<\/h3>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Le spectateur est au c\u0153ur de LA PEUR DES COUPS, d\u2019apr\u00e8s COURTELINE, ou de sa version d\u2019aujourd\u2019hui qui s\u2019amuse de la l\u00e2chet\u00e9, la couardise des hommes et leur incapacit\u00e9 \u00e0 respecter, regarder, appr\u00e9cier celle qui est \u00e0 leur c\u00f4t\u00e9, pour le meilleur, et parfois, pour le pire (pour elle).<\/p>

Il est au plus proche du ma\u00eetre TCHEKHOV avec sa courte pi\u00e8ce L\u2019OURS qui questionne la folie de l\u2019argent et du d\u00e9sir dans un imbroglio de dette \u00e0 payer, de deuil exag\u00e9r\u00e9 et d\u2019amour \u00e0 r\u00e9inventer.<\/p>

Comme si c\u2019\u00e9tait la premi\u00e8re fois ! C\u2019est ce qu\u2019ils parviennent \u00e0 nous faire croire !<\/p>

Que cette situation, ce moment, cette porte qui s\u2019ouvre, cette chute, cet amant dans le placard, ce rebondissement\u2026
Ils nous font croire que tout cela arrive pour la premi\u00e8re fois ici et maintenant.
Par leur capacit\u00e9 \u00e0 s\u2019\u00e9tonner encore,
\u00e0 s\u2019\u00e9mouvoir encore,
\u00e0 s\u2019attendrir encore,
\u00e0 se mettre en col\u00e8re encore\u2026
quand bien m\u00eame ils jouent pour la centi\u00e8me fois cette pi\u00e8ce, quand bien m\u00eame ils jouent un enfant alors qu\u2019ils sont vieux, une femme pour un homme, un assassin pour le plus tendre des hommes, jouer un autre que soi\u2026
L\u2019acteur est celui qui est faux mais de mani\u00e8re si vraie que la v\u00e9rit\u00e9 est alors celle du plateau, et de ce temps suspendu contenu dans le temps que dure la repr\u00e9sentation. Car c\u2019est bien pour de faux qu\u2019il aime, qu\u2019il pleure, qu\u2019il se met en col\u00e8re, qu\u2019il tue, qu\u2019il rit !<\/p>

Comme si ce doit \u00eatre un hommage \u00e0 l\u2019ART de l\u2019acteur.
C\u2019est une mani\u00e8re de leur rendre gr\u00e2ce, de les remercier car qu\u2019est-ce que le th\u00e9\u00e2tre si ce n\u2019est : un texte et des acteurs !
Bien s\u00fbr le th\u00e9\u00e2tre d\u2019aujourd\u2019hui se joue parfois sans texte, parfois m\u00eame sans acteurs, parfois on y vient raconter sa propre histoire et alors le th\u00e9\u00e2tre se fait documentaire et le spectateur est un t\u00e9moin plus ou moins consentant d\u2019histoires vraies o\u00f9 le pathos tient lieu d\u2019argument.<\/p>

Pas d\u2019argument pour Comme Si.. si ce n\u2019est celui du th\u00e9\u00e2tre\u2026du th\u00e9\u00e2tre pour tous. Du th\u00e9\u00e2tre simple sans artifices, ou presque, mais avec des artificiers de la parole qui vont rire, pleurer, se mettre en col\u00e8re, s\u2019aimer, se d\u00e9tester au milieu d\u2019un ring ou d\u2019une piste de cirque avec quelques lumi\u00e8res, quelques costumes, deux trois paires de chaussures, des bottes de sept lieues.<\/p>

Deux acteurs en charge d\u2019une entreprise de Jubilation, en mission pour nous faire partager avec force leur savoir, leur exp\u00e9rience, leur capacit\u00e9 \u00e0 faire comme si. Le spectateur, au plus pr\u00e8s des acteurs, est immerg\u00e9 au coeur du jeu. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Comme si Cr\u00e9ation 2019 \u00ab Comme si\u2026 est un hommage \u00e0 l\u2019ART de l\u2019acteur \u00bb\u00a0 AUTEUR Courteline & tchekhov METTEUR EN SCENE THIERRY FALVISANER Textes La peur des coups & L\u2019ours ACTEURS JOHANNA NIZARD ARNAUD ALDIG\u00e9 STAFF R\u00e9gie : simon laurent ADMINISTRATION : SYLVIE MOINEAU GRAPHISME : ESTELLE MAUGRAS TEASER Synopsis Le spectateur est au…<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_kad_post_transparent":"","_kad_post_title":"hide","_kad_post_layout":"fullwidth","_kad_post_sidebar_id":"","_kad_post_content_style":"unboxed","_kad_post_vertical_padding":"hide","_kad_post_feature":"hide","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","cybocfi_hide_featured_image":"","footnotes":""},"class_list":["post-964","page","type-page","status-publish","hentry"],"yoast_head":"\nComme si - 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